7 min readfrom Dance Informa Magazine

Finding your place as a dancer: A chat with CLI alumna Cadence McBride 

Our take

In the dynamic realm of dance, finding your unique place can feel both daunting and exhilarating. In this insightful chat with CLI alumna Cadence McBride, we explore the intricate dance ecosystems that exist within cities, each with its distinct opportunities and influential figures. Cadence shares her personal journey, emphasizing the importance of discovering the right environment that resonates with your artistic vision and goals.
Finding your place as a dancer: A chat with CLI alumna Cadence McBride 

The dance world is a unique tapestry, woven from the diverse experiences and backgrounds of artists who inhabit it. In the insightful article, “Finding your place as a dancer: A chat with CLI alumna Cadence McBride,” we are reminded that while the dance ecosystem can feel constricting at times, it is also vast and filled with opportunities for personal and artistic growth. McBride’s journey illustrates the importance of finding the right environment where a dancer can truly flourish. As she navigated through different cities, her experiences underscore a critical truth: the right community is instrumental in unlocking creativity and fostering self-expression. This resonates with many of us who seek environments that nurture our passions, whether in the world of dance or beyond.

Dancers, much like any artists, thrive in spaces that resonate with their individual styles and aspirations. McBride’s story is a vibrant reminder that the locations we choose to dance in can shape not only our skills but our identities as performers. For instance, the recent piece on Dance takes center stage in Lincoln Center’s ‘Summer for the City’ highlights how exposure to varied artistic expressions can cultivate a dancer’s unique voice. The significance of finding one’s niche cannot be understated; it is a journey towards self-discovery and self-acceptance.

Moreover, the notion of community extends beyond mere geographical boundaries. The dance ecosystem includes mentors, peers, and platforms that encourage collaboration and innovation. Organizations like CLI, where McBride found her artistic home, play a pivotal role in democratizing dance education and making it more accessible, as discussed in the CLI Conservatory alumna article. These spaces are essential for nurturing talent and fostering an inclusive environment that allows dancers to explore their creativity without fear of judgment. The interplay of community and opportunity not only shapes individual careers but enriches the entire dance landscape.

As we reflect on McBride’s journey, it is important to recognize the broader implications for aspiring dancers everywhere. The search for the right place to dance is a universal experience, one that invites us all to consider how our environments influence our growth and self-perception. In a world that often imposes rigid standards of beauty and talent, it is vital to embrace body positivity and the idea that every dancer has a unique story worth sharing. This perspective aligns beautifully with the ongoing discussions around inclusivity in the arts, as seen in the recent spotlight on actress Katie Holmes being honored at ABT’s 2026 Spring Gala.

Looking forward, one must ponder: how can we further support dancers in their quest for belonging in a world that can often feel isolating? As we continue to celebrate diverse voices and experiences in dance, let us remain committed to creating supportive communities that empower all artists to shine. After all, the beauty of dance lies not just in the movement, but in the connections we forge along the way. In the spirit of Cadence McBride and countless other artists, let’s embrace the journey of finding our place and inspire one another to dance boldly and authentically.

The dance world is small, but also large; every city has a dance ecosystem with various entities, opportunities and “big names.” Each of these ecosystems is also different, just as different as every dancer…so dancers have to find the one that’s right for them. You’ll hear it from many accomplished artists: once they found that right place, that’s when their creative life really blossomed. 

CLI Conservatory alumna Cadence McBride definitely fits in that category. She’s danced in several different cities, learning and growing a lot in each. Yet, it was Boston, MA (and, in particular, the opportunity of CLI that is based there) that really showed her more about who she is and where she wants to be as an artist. She’s now signed with MSA (McDonald Selznick Associates), so it’s only forward from here.  

Cadence McBride. Photo by Alexis Rose Photograpy.
Cadence McBride. Photo by Alexis Rose Photograpy.

Here, Dance Informa speaks with McBride about training and working in Canada, the CLI experience, where to from here and much more.

You’ve described your story as ‘diamond in the rough.’ We’d love to hear more — about what brought you to dance, what’s kept you there and what’s kept you shining diamond-bright. 

“I grew up in a small town in Alberta, Canada, and started dancing at three years old at a small studio. It really nurtured my love for dance. It built the feeling that dance is safe, and I wouldn’t trade that. 

COVID hit, reducing resources and opportunities. But I was scouted at conventions by a Royal Caribbean choreographer, then moved to Edmonton for more opportunities. 

I came into those spaces feeling behind, like I had a lot of catch-up to do. I repeated this same cycle two years later with a move to Vancouver. These moves really inspired me to grow and learn, though. Then came another move, to Boston, where I auditioned for CLI. 

I grew up feeling like I was not enough, but at CLI, I could find my place and my voice. There were people there who’d never taken a ballet class but were crazy poppers, and also hard-core ballet dancers, for example. So, there was someone and something for everyone! 

There was a huge audition with scouts from all of the major agencies. I didn’t even think of it as an audition, though, because I didn’t think any of us Canadians were in the running. But I got that offer email from MSA, and here we are!”

Can you say more about your experience with CLI? What led you there, and why did it feel like the right place for you? What were the key lessons and experiences that you took away from it? What were some challenges of that time, and how did you overcome them? 

“CLI was really interesting. You’re auditioning with 18-20-year-old dancers, and everyone’s hungry. Your goal is to stand by the best person in the room and learn from them. We were separated into style groups, by specialty. I’ve trained in everything, but I was put in the hip hop group – which was interesting to see, that view of my strengths. Being with those people, with that music…I realized that’s where I want to be. 

During the last couple of months, we were auditioning every day…it was long hours. But it really trained my mindset; you get cut, and it’s back at it the next day. Maybe you get cut from every single audition, but you still leave with all that training and learning. CLI really pushed my limits, and shifted my perspective to really appreciate and work at the artistry of it all.” 

And how about your post-CLI life and work? What have you been focused on? Are you working on anything exciting that you can tell us about at this point? 

“I’m back in Vancouver now, after that full year in Boston. I feel like I’m a whole new version of myself. It’s nice to come back here and feel like there are opportunities for me. I’ve done a couple of films recently, for instance, which were great experiences. 

Having MSA representation is less common here, so it’s definitely turned some heads and opened some doors for me. It’s nice to get those opportunities and apply all the learning from CLI and beyond.”

What words of wisdom might you share with dancers in a similar situation, who reach for those big opportunities and make those big moves – and then end up as the small fish in the big pond?

“You can learn so much just by watching! I was in Phoenix, AZ, dancing at Radix, the convention. At one point, I just stopped and watched the rest of the class…and I truly saw so much. At the same time, I knew that I deserved to be there just as much as everyone else. Remember that: you do deserve to be there just as much! Just trust, and take it day by day. 

And, just as crucially, make it your own. When I was in that audition room, when I got signed with MSA, I was fully myself. It’s definitely a tendency of mine…for example, say, a lyrical combo, I’ll make it a little more mine with a bit of hip hop flavor – and I’ve gotten in trouble for it at times. But making it you, showing you…that at least allows you to be seen, and those at the front of the room will help you make it what they want from you. But first, for that to happen, you need to be seen.

Cadence McBride. Photo by Sergio Lopez.
Cadence McBride. Photo by Sergio Lopez.

And research, research, research! I love watching videos. With social media and beyond, there’s just so much out there that we can learn from. That can also help us find the place and thing for us. I truly believe that every dancer has something out there for them, you just have to find it.” 

Looking to the future, what do you have your eye on? Do you have any visions and dreams that you’d like to share?

“I don’t want to allow myself to get too comfortable. My biggest fear is missing out on what I could have been doing. I want to be in those rooms fighting for my life, on those stages with Justin Timberlake and those sorts of big names on tour. 

I wouldn’t have said that five years ago…these past few years have really changed things for me, really shown me a lot. There’s of course still so much learning and growing for me to do, but now I’ve found out so much more about who I am as a dancer. I’ve truly started to find my voice and my place.” 

You can follow Cadence McBride on Instagram: @cadence.mcbride.

By Kathryn Boland of Dance Informa.

The post Finding your place as a dancer: A chat with CLI alumna Cadence McBride  appeared first on Dance Informa Magazine.

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