‘The Great Gatsby’: A dazzling musical revival of Fitzgerald’s classic
Our take
The recent revival of F. Scott Fitzgerald's classic novel in musical form, showcased at the Peace Center in Greenville, SC, is a compelling reminder of the timeless allure of the Roaring Twenties. The production, featuring Jake David Smith in the titular role of Jay Gatsby, dives deep into the vibrant extravagance of an era defined by ambition, opulence, and the pursuit of dreams. This dazzling adaptation not only captivates through its stunning choreography and high-energy performances but also serves as a mirror to our contemporary struggles with identity and aspiration. It’s a significant cultural moment that resonates with many, especially those who celebrate the art of expression—whether through dance, theater, or personal journeys of self-discovery.
As a fitness guru and advocate for body positivity, I find the themes of ambition and self-reinvention presented in this new adaptation particularly relatable. Just as Gatsby embodies the relentless pursuit of a better self, we too can harness our own journeys toward self-love and acceptance. The dazzling spectacle of dance intertwined with vintage glamour reminds us that our bodies are instruments of expression, capable of telling stories beyond words. For those involved in performance arts, like in the Dance takes center stage in Lincoln Center’s ‘Summer for the City’, this resonates deeply. The physicality of dance not only enhances our aesthetic appeal but also empowers us to feel confident and beautiful in our skin, paralleling Gatsby's quest for validation and love.
Moreover, the revival's success also prompts us to reflect on the broader cultural narrative surrounding the arts. The magnetism of live performances, such as this one, reminds us of the importance of community and shared experiences, especially in times when social connection can feel strained. As we witness the revival of classic tales like Gatsby's, we are encouraged to engage with stories that explore the complexities of human emotions and relationships. The musical not only entertains but also fosters dialogue about the pursuit of dreams and the consequences of our choices—much like the reflective nature of the recent book, Infinite Steps: Thirty-three Dancers and Their Lives in Ballet, which delves into the lives of dancers and their struggles, triumphs, and artistic journeys.
In conclusion, the dazzling revival of *The Great Gatsby* serves as a reminder to embrace our complexities and pursue our dreams unapologetically. As we engage with this vibrant portrayal of the Roaring Twenties, it is essential to consider how these themes resonate with our own lives today. The interplay of ambition, identity, and the quest for love continues to inspire and challenge us. As we look forward, one must ponder: how do we make our own stories as captivating as Gatsby's? How can we turn our dreams into a reality while embracing our unique journeys? The answers to these questions may just be a dance away.
Peace Center, Greenville, SC.
March 31, 2026.
The Great Gatsby has roared onto Greenville’s Peace Center stage in a dazzling new musical adaptation of F. Scott Fitzgerald’s classic novel. Complete with bootleg liquor, vintage automobiles, and the mysterious millionaire Jay Gatsby at its center, the production immerses audiences in the extravagant Roaring Twenties through flashy dance numbers and high-energy spectacle.
Jake David Smith leads the first North American tour as Jay Gatsby. Having previously seen him as the lovesick Marius in the national tour of Les Misérables, I was immediately drawn in by his compelling portrayal of Gatsby. From his first moments onstage, Smith made the audience root for the complicated dreamer at the heart of the story. His powerful, pure vocals anchored much of the show, delivering each song with emotional depth.
Senzel Ahmady brought nuance and vulnerability to Daisy Buchanan, capturing a young woman torn between two worlds. Joshua Grosso shone as Nick Carraway, opening and closing the show with captivating monologues, and injecting welcome comedic lines throughout. Leanne Robinson commanded attention as the spunky, independent amateur golfer Jordan Baker.
In a Broadway musical set in the Jazz Age, the dance numbers are essential, and Gatsby delivers. “Roaring On” opened the show with dancers backlit as elegant silhouettes, then burst into an atmosphere of extravagant opulence. Dominique Kelley’s choreography seamlessly blended period dances, like the Charleston, with contemporary hip hop and fluid modern moves. “New Money” kept the party going with bubbles, pyrotechnics and a kaleidoscope of motion. Moving scrims, legs, and projections wove seamlessly with the dancers’ steps, building an increasing sense of grandeur that turned the entire stage into a living, breathing extension of the choreography.
Act Two opened with “Shady,” a far darker number whose choreography reflected the dramatic tonal shift. Dancers wore trench coats and fedoras, their sharp steps illuminated by spotlights. The coats added visual mystique, as dancers swooped and flicked them with flair. Tap dance took center stage in “La Dee Dah With You.” Four dancers commanded the stage with crisp rhythmic footwork, and the audience fed off their infectious energy. Several ensemble members also appeared in old military uniforms and their choreography incorporated step dance – the grounded style perfectly mirroring the military precision of soldiers.
Having read Fitzgerald’s novel decades ago, I was somewhat familiar with what to expect, but I intentionally approached the musical with fresh eyes – avoiding a re-read beforehand. The story’s ending remains complex and sad, yet the musical delivers hope in the midst of sorrow. Gatsby’s elusive green light ultimately reminds us to keep reaching, no matter the cost.
The Great Gatsby is touring nationally now. Visit broadwaygatsby.com for tour dates near you.
By Melody McTier Thomason of Dance Informa.
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